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For SATB (divisi up to SSAATTBB) and Trumpet in C. This setting uses the Latin version of Revelation 21:1-4. For advanced choirs, this piece features dense and lush harmonies that paint the
A minimum quantity of 5 is required on this title.
The second movement of the Cantata, an "Alleluia," is solemn, and reflective of it's initial use in the ancient Greek Liturgy of St. James. It's "chant like" opening
A minimum quantity of 12 is required on this title.
This a cappella setting of the traditional Latin text for "Grant us peace" features soprano and alto soloists for the entirety of the piece. The SSA texture blossoms into a double treble choir in the second
Originally written for SATB chorus, string orchestra and organ, this piece premiered on St. Cecilia's Day (Novemeber 22) in 1951 at St. Sepulchre's Church with organ accompaniment and has entered the choral
He That Dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the
Another "Renaissance" motet from the pen of Jameson Marvin. Marvin's years of experience as a choral conductor and composer play into the elegant polyphony of this work. Both solemnity and playfulness are
A collective setting of the complete text of Psalm 103(104) - the Psalm of Creation, composed by 6 leading Eastern Orthodox composers.
This 6-minute modern choral work for choir and organ depicts the Transfiguration text from Matthew 17:2, 5 (NIV). For advanced choirs, this work was commissioned by First Presbyterian Church, Davenport,
This powerful a cappella arrangement centers on why Jesus left heaven, why He humbled himself, and why He sacrificed Himself for us. This Jesus, a servant and teacher, became a prisoner so that we could be